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Jazz Podium: Das älteste deutsche Magazin über Jazz

Das Jazz Podium ist das älteste Jazz-Magazin in deutscher Sprache und erscheint 6 x im Jahr als Printmagazin und E-Paper. Erfahren Sie mehr über die Entstehung und die Inhalte – inkl. Leseproben!

CHORstimmen – Nr. 1 Melanie Schlerf: Chorleiterin & Profi-Choristin

ur new interview series is dedicated to the diversity in the choir world. In this first interview, we speak with the talented choir conductor, singer, and professional choral singerMelanie Schlerf. Learn first-hand what qualities and experiences are essential for a successful career as a choir conductor, and discover intriguing answers on topics such as programme selection, digitalisation, choir rehearsals, and the challenges of recent years for choral singing and her choirs.

Nina Simone: Did I make you cry?

En vogue: Die Popularität von NINA SIMONE scheint nachträglich fast größer als zu ihren Lebzeiten. Wobei der Sängerin Jahre in den Niederlanden eher schwach ausgeleuchtet sind. Das holen wir nach.

Sergej Rachmaninow zum 150. Jubiläum

"Music is enough for a lifetime, but a lifetime is not enough for music". This was the sentiment of Sergei Vasilyevich Rachmaninoff, who was born in Russia 150 years ago. Eleonora Paolin remembers the "last romantic" by looking at some remarkable aspects of his life and work.

Antonio Oyarzábal: Die verborgenen Schätze von Komponistinnen

The London-based Basque pianist talks about his latest album "El Fin del Silencio" (The End Of Silence) of works by Latin American women composers and the challenges he has faced in his career in finding repertoire and scores by women composers.

Gitarre lernen mit Tatiana Stachak

In a class of its own: Tatiana Stachak's innovative teaching method, “First Class Guitar”, has many followers worldwide. The focus of the music educator, composer, and guitarist is on the joy of making music. Through early duet play with the teacher, initial success quickly occurs, and motivation is maintained. In the interview, Tatiana Stachak provides insights into her work.

Violeta Gil – Die Bedeutung einer positiven Einstellung für professionelle Musikerinnen und Musiker

The “restless” flautist talks about when she found her passion to learn the flute, her musical education, social media for musicians, the support of family & friends and the importance of “keep going” after setbacks and why unsuccessful auditions aren’t failures. Furthermore she shares with us her favourite musical pieces and scores.

Ulrike Wegele - Die renommierte Organistin und Lehrbuch-Autorin im Porträt

Ulrike Theresia Wegele is one of the leading organists of her generation. She teaches in Graz and Eisenstadt and lives in Vienna, where she published her popular "Organ School with Hand and Foot" with the Doblinger publishing house. Read here how her path to becoming an organist began on "Blood Friday," what a thrill her entrance exam was, and which scores are close to her heart.

Marc Le Gars im Fokus – Vom ausgezeichneten Gitarristen zum beliebten Komponisten

The guitarist Marc Le Gars is known especially in France for his compositions for solo guitar and chamber music. Over the years, he has published dozens of sheet music from which is readily selected for guitar examinations and competitions. In this video interview, he talks about his career and his music.

Berufung Komponistin – Ein Interview mit Sophie Lacaze

How does one become a composer? What are the different stages in the composition process? How can the world around us inspire us to create musical works? These are the questions we asked French composer Sophie Lacaze.

Leben und Arbeit als klassischer Komponist Heute – Ein interview mit Zdeněk Král

Zdeněk Král is one of the most prominent figures in modern Czech classical music and, with more than 1000 compositions, he is extremely prolific. In an interview with Tomáš Ibrmajer he talks about his life as a composer: from his inspirations, the creative process and the challenges, to the final performance.

Herausforderung Schulorchester: ein Interview übers Arrangieren mit Thomas Stapf

Wer ein Schulorchester leitet, steht immer wieder vor neuen Herausforderungen, vor allem wenn es um die Suche nach geeignetem Repertoire geht. Glücklicherweise gibt es immer mehr gute Arrangements für flexible Besetzungen. Thomas Stapf, Hauptarrangeur des Musikverlags Andrea Wiegand, der sich auf Noten für Schulorchester spezialisiert hat, gewährt uns einen Einblick in seine Arrangier-Werkstatt.



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